B. Dolan's timely "Film the Police" updates N.W.A's classic "Fuck tha Police" for the Social Media age. He explains here how he hopes it makes a difference.
Quadron's Coco remakes Lauryn Hill's "Ex-Factor," a hip-hop soul classic that's guaranteed to have you tearing up and swallowing that lump in your throat.
Filmmaker Alison Chernick follows restauranteur Michael Chow who says the secret of great food, or high achievement in any field for that matter, lies in perfecting the details.
Shepard Fairey is the artist behind TIME's "Person Of The Year" cover. But there was another option by James Victore too. Which design would you have chosen?
Capital New York writer Rachel Kaadzi Ghansah unpacks a powerful profile of the Roots that's part personal essay, part sociological study, part history lesson.
The Internet—OF's Syd the Kyd and Matt Martians—is pushing R&B out of its comfort zone with a jarring video and an electro-soul sound that's sweet and edgy at the same time.
Steve McQueen, one of the most provocative artists of his generation, keeps it real and raw in his latest film, Shame, a dark tale about sexual addiction.